Kenneth Moore begins each of his works with a set of self-imposed guidelines that include a large element of repetition. Kenneth’s works are performative in nature, and carry the record of his daily act in paint. The focus of his practice concerns itself with the everyday broken down into four components: time, the political, the societal, and the individual. During Kenneth’s stay at Farmers Park, he intends to create between 150 and 170 works.
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